Venice
La camara de ambar
Carlos Lopez Sanchez
problematic: Memory as an incomplete structure, perception as an unresolved image
description: The artist reconstructs the legendary Amber Chamber as a cube of pressed yellowish glass enclosing a miniature of a Naples room inhabited during an Erasmus stay in 2022, collapsing historical loss and personal memory into a single object. The distorting glass refuses any fixed viewpoint, forcing the viewer into movement and casting memory itself as an unstable, forever incomplete image.